Citrus energy

The composition, with yellow in the leading role, radiates fresh energy through the playful combination of floral and natural elements. The base is a hand-woven pot of liana vines. A lively mix of Hamamelis, Oncidium orchids, Ranunculus and Cape greenery is placed in it. In contrast to the whimsical lines of Hamamelis and the playful structure of the orchids, the cream-white Ranunculus brings softness. Dangling lemons not only enhance the color scheme, but also symbolize vitality. The texture of the Cape greenery enhances the natural look.

Rhythmic balance

Two bundles of even branches, firmly tied together with rubber elements, form the basis of the composition. The floral arrangement grows harmoniously within these ascending organic structures. The illuminating orange calyxes of Sandersonia aurantiaca give the piece a playful, dynamic appearance. Spherical seed pods of Scabiosa stellata subtly add texture, while fine Asparagus plumosus foliage softens the composition with airy movement. The metal lines in the background enhance proportions and structure. An intriguing dialogue between geometry and natural growth.

Circular movement

The base of this organic and circular arrangement is constructed from dried grass formed into a dynamic, spiral structure. This artisanal wickerwork emphasizes both reuse and the power of natural textures. Black accents, wrapped with iron wire, meander through the form, creating a subtle contrast. Together with the soft yellow French tulips, which seem to flow out of the structure with their gracefully curved stems, they enhance the illusion of movement. This arrangement plays with gravity, balance, and the transience of natural materials – where the grass base plays both a visual and symbolic role in the overall composition.

Depth in balance

This sculptural arrangement has a clear front and back and is a response to the often flat floral arrangements circulating on the internet. The construction, with a strong architectural appearance, consists of a rubber-wrapped base with vertical structures built from bound natural materials. Balance is an important element: the hanging part with Vanda orchids, Anigozanthos, and Rhipsalis is balanced by strategically placed weights on the back. This creates a visual tension, in which the work seems to float and yet remains firmly anchored. The arrangement invites you to view it from all sides and emphasizes that floral art is a three-dimensional experience. The floral filling adds movement and texture.

Natural dialogue

This airy, organic arrangement is based on a handmade bowl made of recycled wooden slats and clay. From this natural foundation rise metal rods to which a network of spent quince branches is attached. A homemade leaf made of iron is carefully integrated into the composition. The materials used are fringed tulips, Allium, Anthurium, and flower clusters of Pieris. Jasmine vines meander around the construction, reinforcing the interaction between flowers and branches. Extra details such as Eucalyptus fruits and a moss-covered trunk give the work a rough, natural texture.

Airbridge

In this graceful and layered arrangement, balance and refinement come together. The construction is supported by three thin, organically shaped legs. The arrangement seems almost weightless; floating like a bridge, the composition explores the boundaries of balance and airiness.

The base is constructed from braided branches, with subtle accents of wire-wrapped structures that enhance the movement of the piece. The floral arrangement with white Phalaenopsis and Ornithogalum is an interplay of elegance and texture. Rhipsalis adds a hanging, flowing movement to this.