‘My focus is on object design’
Nicolaus Peters, an acclaimed floral designer from Germany, rose to international acclaim by winning the prestigious Interflora World Cup in 2023. His journey to the top of the floral art world was not without obstacles, but Nicolaus showed perseverance, passion, and dedication to his craft.
GROWTH! An adventurous floral journey
‘This will be something completely different. I never wanted to do a demonstration where I simply walk on stage, place flowers, and talk about how I made it. I would love it if the people left the show thinking, ‘Wow, I’ve never seen anything like this before in the flower world.’ With these enthusiastic words, European Champion of Floral Art, Hanneke Frankema, introduced her upcoming floral show, ‘GROWTH!’, set to take place during the World Cup Floral Art final in August at the World Forum in The Hague.
‘Sustainability gives floral art a creative boost’
‘When you become aware of sustainability, you can’t unsee it. Once you start realising the impact of your materials, it really opens your eyes. Suddenly you think: What are we actually using? This awareness has profoundly changed his approach to floral art.’
‘Sustainability isn’t a step back; it’s a step forward. It’s not limiting. On the contrary, it opens doors, and I find it incredibly inspiring because you must think differently about your materials.’ Reflecting on his past work, Max openly acknowledges his personal shift: ‘Years ago, I created stunning floral designs in Japan, full of vibrant plastic materials. The photographs were beautiful – but today, I wouldn’t choose those materials anymore.’
Together with Swedish floral designer Per Benjamin, Max recently published the book Sustainable Floral Design, from which we publish five arrangements by Max and Per.
Especially for this World Cup edition of DPK Floral Magazine, Max also created five unique arrangements, using special sustainable techniques, and reusable bases. ‘Everything we do affects something else.’ So be inspired by sustainability.
‘Each bloom must support the composition’
‘This series is really a tribute to the Dutch Masters of the Golden Age – those iconic still life paintings that symbolised wealth, elegance and abundance’, says floral designer Hanneke Frankema. ‘We wanted to honour their legacy, but as today’s Dutch Masters, in our own way.’
Creating such opulent, painterly arrangements is no easy task. ‘You need time – a lot of time – and hundreds of flowers, all carefully placed to achieve that perfect balance. Each bloom must support the composition without overwhelming the others.’
Hanneke also emphasises the importance of structure, proportion, and refinement. ‘You can’t just keep adjusting endlessly – it must be right almost immediately. But that’s the beauty of it. There’s real elegance in the layering, in the depth and the subtle lines. It’s classical, yes, but with our own modern touch.’
Hanneke created three floral arrangements inspired by the Dutch Masters, each featuring real butterflies delicately integrated into the design – a detail she finds especially enchanting. ‘I used butterflies in all three pieces because they add something magical and refined.’
The process, however, was incredibly demanding. ‘You wouldn’t believe how many flowers we needed to source just to create a few of these arrangements. From a whole bucket, maybe one bloom is at the right stage and facing the right way.’ Each piece explores a different colour palette and mood, yet all were built using the new Oasis Renewal Floral Foam. ‘With strong stems like Delphinium or sun flowers, placement must be precise from the start. You can’t keep redoing it, or you’ll ruin the base. It must be right the first time.’
Een bloemenfeest
Met veel plezier en toewijding hebben we deze speciale editie van DPK Floral Magazine voor de World Cup Floral Art samengesteld. We zijn verheugd en trots om de World Cup Floral Art 2025 Edition te presenteren, boordevol fascinerende en inspirerende artikelen. Wat kunt u verwachten? Een korte preview.
Een belangrijk hoogtepunt van deze speciale editie is de presentatie van alle deelnemende ontwerpers. In onze artikelenreeks ‘Maak kennis met de deelnemers’ vindt u interviews met alle 24 deelnemers aan de World Cup, vergezeld van prachtige visuele impressies van hun bloemkunstwerken. Zo kunt u ontdekken wiens werk u het meest aanspreekt.
Verder presenteren we ‘Masterpieces Reimagined’, waarin bloemsierkunstenaars Hanneke Frankema en Max van de Sluis de beroemde geschilderde bloemstillevens uit de Nederlandse Gouden Eeuw tot leven brengen met prachtige en inspirerende hedendaagse arrangementen. Masterpieces Reimagined is een ode aan bloemsierkunst, waarin geschiedenis en innovatie samenkomen.
Tot slot bieden we een exclusief kijkje achter de schermen van GROWTH! de theatrale bloemenliveshow van Hanneke Frankema, Europees kampioen bloemsierkunst, die tijdens de finaleavond plaatsvindt. Ook hier staat duurzaamheid centraal. Deze nieuwe ervaring in bloemsierkunst belooft een avontuurlijke reis te worden vol innovatie, emotie en bloemen.
Naast het gratis magazine dat op de locatie verkrijgbaar is, is deze speciale World Cup Floral Art 2025-editie ook online beschikbaar via onze website, net als alle andere edities van DPK Floral Magazine. Bovendien is het online magazine beschikbaar in meerdere talen, waardoor het wereldwijd toegankelijk is. Bezoek dpkfloralmagazine.com regelmatig voor het laatste nieuws!
Samen met alle bezoekers kijken we reikhalzend uit naar de spannende ontknoping van de World Cup Floral Art. Ik wens alle deelnemers veel succes en over een paar dagen zullen we ontdekken wie de komende jaren de felbegeerde titel van Floral Art World Champion in de wacht mag slepen.
We zijn de komende dagen ter plaatse, dus kom gerust even langs om kennis te maken!
Anita Meuleman, Hoofdredacteur
‘True creativity lives in the risk’
The floral work of Jenny Ingrum from the US boldly blurs the lines between floristry and fine art. With an intuitive approach, she creates emotionally resonant pieces grounded in technical mastery and expressive form. Known for her fearless use of custom-built structures and sustainable mechanics, Jenny inspires through her teaching, large-scale installations, and global collaborations – making her a vibrant and forward-thinking voice in contemporary floral design.
‘My signature style is sculptural, intuitive, and unapologetically bold. I work at the intersection of floristry and art – pushing boundaries with custom-built arma tures, contemporary mechanics, and emotionally charged color stories. My work is grounded in technical precision, but I always leave room for wildness, emotion, and something unexpected.’
‘I’m inspired by everything that feels alive with energy – architecture, philosophy, movement, music, and the natural tension between softness and structure. I sketch, I write, I build. Sometimes I destroy what I’ve made and begin again – because true creativity lives in the risk.’
‘Right now, I’m drawn to branches, twisted forms, and botanicals that bring un expected textures – things that root, sprout, or curl around a shape. My techniques lean into sustainable mechanics – using reusable structures, creating living armatures that support both design and regeneration. I want my work to feel alive long after the last petal drops.’
‘I’m incredibly proud of my Bouquet Workshop Tour 2024 & ‘25, where I travel across the U.S. teaching florists how to push their creativity while mastering technical skills. Competing in South Korea and Manchester to represent the US has been massively inspirational and educational leading into this competition. Building an online community where I’m able to reach beyond my borders and share my view on modern floristry has been one of the most meaningful projects in my career. Local large-scale floral installations for raising awareness of floral design and its importance to humanity – those are the works that stretch me and make a difference.’
‘The World Cup is the most extraordinary platform in our industry. To represent the United States again – this time in The Hague, in The Netherlands – is both an honor and a challenge I welcome with open arms. It’s a space where the limits of design are tested, where cultures and craftsmanship collide, and where innovation is celebrated. Preparing for it demands not only technical mastery, but mental resilience and artistic conviction. I wouldn’t want to be anywhere else.’
‘I plan to win by being fully myself – by designing with conviction, risk, and emo tional resonance. I create unapologetically – and that will be my edge.’