Rhythmic balance

Two bundles of uniform branches, firmly bound together with rubber elements, form the basis of the composition. In these ascending organic structures, the floral infill grows harmoniously with them. The brightening orange calyxes of Sandersonia aurantiaca give the piece a playful, dynamic look. Spherical seed pods of Scabiosa stellata add subtle texture, while fine Asparagus plumosus foliage softens the composition with airy movement. Metal lines in the background reinforce proportions and structure. An intriguing dialogue between geometry and natural growth.

Circular movement

The base of this organic and circular arrangement is composed of dried grasses formed into a dynamic, spiral structure. This artisanal weave emphasizes both reuse and the power of natural textures. Black, wire-wrapped accents meander through the form, creating a subtle contrast. Together with the soft yellow French tulips, whose gracefully curved stems seem to flow out of the structure, they enhance the illusion of movement. This arrangement plays with gravity, balance and impermanence of natural materials - with the grass base playing both a visual and symbolic role in the whole.

Depth in balance

This sculptural arrangement has a distinct front and back and is a response to the often flat floral arrangements circulating on the Internet. The construction, with a strong architectural look, consists of a rubber-wrapped base topped with vertical structures built from natural materials bound together. Balance is an important element: the hanging section with Vanda orchids, Anigozanthos and Rhipsalis is balanced by strategically placed weights at the back. This creates a visual field of tension in which the work seems to float and yet remains firmly anchored. The arrangement invites viewing from all sides and emphasizes that floral art is a three-dimensional experience. The floral infill adds movement and texture.

Natural dialogue

This airy, organic arrangement has as its base a handmade bowl made from recycled wooden slats and clay. From this natural foundation rise metal rods to which a network of spent quince branches is attached. A homemade leaf made of iron is carefully integrated into the composition. The materials used are fringed tulips, Allium, Anthurium and flower clusters of Pieris. Jasmine tendrils meander around the structure, enhancing the interaction between flowers and branches. Additional details such as Eucalyptus fruits and a moss-covered stump give the work a raw, natural texture.

Airlift

Balance and sophistication come together in this graceful and layered arrangement. The construction is supported by three thin organically shaped legs. The arrangement seems almost weightless, floating like a bridge, the composition seeks the limits of balance and lightness.

The base is composed of braided branches, with subtle accents of wire-wrapped structures that enhance the movement of the piece. The floral infill with white Phalaenopsis and Ornithogalum is an interplay of elegance and texture. Rhipsalis adds suspended, flowing movement.

Crystal Nexus

Architectural precision and organic forms come together. The basic structure is a complex network of rubber-wrapped elements that seem to move like a living organism. Glass spheres are subtly integrated and reflect light, creating an almost otherworldly effect. An invitation to wonder and discovery, in which every detail contributes to the mystique of the composition. The floral interpretation also enhances the mysterious atmosphere. Deep blue anemones contrast beautifully with the dark texture, while white Ornithogalum and Allium add a playful and airy touch. The fine texture of Asparagus leaf adds extra movement.