Variation

Magdalena Kahlina created this bouquet using Astrantia 'Star of Love', Dianthus 'Hypnosis', ranunculus 'Elegance Red', seed heads of Scabiosa stellata, and Talinum paniculatum 'Long John', among other flowers.

‘My floral language is rooted in a balance between clarity of form and sensitivity to plant material. Space, silence, and the relationships between the elements play an essential role. Simplicity, refinement, and respect for the natural character of flowers form the basis of my creative approach.’

Emotion as a starting point

For Magdalena Kahlina, a bouquet is not just a form, but a way to convey emotion through flowers. "I created these bouquets with feeling as my starting point. Emotion is subtle and understated, but present in every detail. Flowers are not treated as decoration, but as expressive elements, each contributing through rhythm, line, texture, and space." The bouquet included tulips 'Double Price', Muscari, and lisianthus 'Botanic Blue'.

Dandelion bouquet

Gábor Nagy created a loose, airy bouquet using his favorite flower, the dandelion. "The center of the bouquet consists of dry floral foam in a round shape that I glued onto cardboard. I spray-painted the surface brown, covered it with decoupage glue, and sprinkled it with red quinoa seeds. Then I glued mirror plexiglass elements around it. I added some wires that I covered with black yarn. This made it much easier to arrange the flowers around the frame." Gábor used dried Actinidia vines, Clematis, Scabiosa, ranunculus, Nerine, Sanguisorba, and dandelions in the bouquet, among other things.

Pastel shades, spring green, and feather detail

Karmen Kovac "This Biedermeier bouquet has a spring-like feel. I played with pastel shades and a vibrant spring green color. Because spring is the time of year when nature awakens, birds return from tropical areas, and they have their Gregorian calendar, I added a feather detail." The flowers used in the bouquet are: ranunculus, hyacinth, clematis, and hypericum.

Fan-shaped

The Singapore bouquet by Irati Tamarit is part of a collection inspired by vibrant global cities. "This bouquet is a tribute to spring, which blooms slowly and shyly, regaining its color after a lifeless winter, represented by the empty space within the ring. The structure of this piece is a reinterpretation of the Nobel bouquet by Swedish master florist Per Benjamin." First, Irati made the wire ring. The Strelitzia leaves are sewn onto the structure by piercing the central vein and carefully arranging them—smaller leaves on the sides and larger ones in the middle—to create a fan-like shape. The bouquet incorporates Dianthus caryophyllus, Chrysanthemum uniflora, Eustoma grandiflorum, and Miscanthus sinensis.

Strong through simplicity

This bouquet focuses on a single material: Clematis 'Miami'. Choosing a single flower variety creates calm, rhythm, and a distinct visual language. The base is a funnel-shaped structure woven with Salix. This traditional construction serves as a guideline for the design and gives direction to each stem. The Clematis is woven through and between the wickerwork, allowing the flowers to find their place naturally and creating a sleek, funnel-shaped silhouette. The star-shaped blooms contrast subtly with the delicate lines of the branches, creating an airy, graphic image.